#HOW TO CHANGE COLOR ON ADOBE PREMIERE PRO CC 2014 SOFTWARE#
You can use adjustment layers and Lumetri looks and any of the other color-specific tools in the software to generate a temporary or final grade of the footage.Īs quick and simple as this workflow is, if you're tempted to use it you should probably be asking yourself why you're shooting RAW in the first place. With that said, you can still color the clips as you generally would in Premiere. Unfortunately, you lose about 95% of the control that you would get by performing an intermediate step and processing the files with a more comprehensive tool like Adobe Camera RAW. Once the RAW clips are imported into a project, they can be viewed, edited, and colored just like any other video clip, with the exception that you have access to a stripped-down set of source settings which let you change the white balance, tint, and exposure of the RAW files. Here's Mattias Burling to show you just how simple it is: However, for folks who are short on time or lacking in the computing power necessary for a speedy intermediate process, Premiere Pro actually lets you import, view, edit, and color CinemaDNG sequences natively within the program. This intermediate step, which can be done in any number of programs ranging from proprietary software like Sony's RAW Viewer to more common programs like After Effects and DaVinci Resolve, usually requires a basic grade of the footage, as well as a time-consuming export to an edit-friendly codec such as ProRes or DNxHD.
Many of today's RAW workflows, whether the original files come from a Sony, ARRI, or Blackmagic camera, need some sort of intermediate step between the original footage and your NLE. It's also a filmmaker's worst nightmare when it comes to developing simplified workflows. RAW is a filmmaker's best friend when it comes to maintaining the utmost control over an image throughout the post process.
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